In writer/director Christopher R. Mihm’s “post-apocalyptic-spaghetti-Midwestern,” a man with no name is forced into a world of danger and bloodshed after he saves a scientist and a gifted child from a horde of radiation-scarred mutants. Though he would prefer to stay hidden until he can escape to a new life, something about the child-and the murderous “Death Dealers” hunting her-makes him realize he has no choice but to protect her or risk being responsible for the potential extinction of the human race.
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Four of the West’s most infamous outlaws carry out a daring bank heist in the gold-rush town, Bath Water. As the posse takes chase, things take a turn for the worse, as the bandits realize they’ve been double-crossed – but by who?
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Lives change forever when Tau, the young lion, kills two corrupt policemen in a South African shanty town.
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In an alternate present-day version of Oakland, telemarketer Cassius Green discovers a magical key to professional success, propelling him into a universe of greed.
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After a her husband is brutally murdered, a widowed homesteader seeks revenge and leaves everything behind to hunt down his killer.
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Taking place during 1876 in Montana, a ruthless headhunter tracks his own Brother through Big Sky country with the help of a young fur trapper.
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As Samuel Alabaster (Robert Pattinson) travels across the American Frontier, on a journey to marry the love he has always looked for, Penelope (Mia Wasikowski), life becomes more and more dangerous. Accompanied by his miniature horse, Butterscotch, and drunkard companion, Parson Henry (David Zellner), the lines between hero, villain and damsel in distress become more and more blurred in this comic reinvention of the classic western movie.
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As Samuel Alabaster (Robert Pattinson) travels across the American Frontier, on a journey to marry the love he has always looked for, Penelope (Mia Wasikowski), life becomes more and more dangerous. Accompanied by his miniature horse, Butterscotch, and drunkard companion, Parson Henry (David Zellner), the lines between hero, villain and damsel in distress become more and more blurred in this comic reinvention of the classic western movie.
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Georgia, 1872 – seven years after the end of the Civil War. On a midnight train to Atlanta, Jericho Whitfield, a brilliant former slave, plans to avenge the murder of his daughter – who was scalped by his old master. Jericho’s mission is to scalp and kill Annie Hargraves – his old master’s rebellious, street-smart teenage daughter. A clean eye for an eye revenge. The only thing standing in Jericho’s way is Roland Bursley, a vicious mercenary hired to protect Annie on her trip to Atlanta. But Roland, Annie, and Jericho soon discover that there is something far scarier than the three of them on the train – and they will have to work together if they want to survive the midnight journey to Atlanta.
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Brady Blackburn, a rodeo bronc rider with some renown, learned everything he knows about horses and riding from his parents, Wayne and the now deceased Mari Blackburn. Brady is recovering from a fall off a bronking horse in a rodeo, the most serious of the injuries being a skull fracture which required a metal plate being inserted into his head. Including checking himself out of the hospital earlier than advised, Brady is determined to get back up onto the literal and proverbial horse as quickly as possible as being a cowboy is all he knows. But deep in his heart he knows that returning to the rodeo in particular is something that is probably not in the cards without increased risks, which is eventually confirmed by his doctor who tells him that he cannot sustain another serious head injury without some major consequence. He does not even want his friends and family to treat him with kid gloves in being able to do any of those physical activities which are part and parcel for him of …
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