After surviving a car accident, Michelle (Mary Elizabeth Winstead) wakes up to find herself in an underground bunker with two men. Howard (John Goodman) tells her that a massive chemical attack has rendered the air unbreathable, and their only hope of survival is to remain inside. Despite the comforts of home, Howard’s controlling and menacing nature makes Michelle want to escape. After taking matters into her own hands, the young woman finally discovers the truth about the outside world.
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The spirit of a murdered girl returns with a message. Now a stranded woman must team up with the staff of a local radio station to solve the mystery of her death.
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After surviving a car accident, Michelle (Mary Elizabeth Winstead) wakes up to find herself in an underground bunker with two men. Howard (John Goodman) tells her that a massive chemical attack has rendered the air unbreathable, and their only hope of survival is to remain inside. Despite the comforts of home, Howard’s controlling and menacing nature makes Michelle want to escape. After taking matters into her own hands, the young woman finally discovers the truth about the outside world.
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After surviving a car accident, Michelle (Mary Elizabeth Winstead) wakes up to find herself in an underground bunker with two men. Howard (John Goodman) tells her that a massive chemical attack has rendered the air unbreathable, and their only hope of survival is to remain inside. Despite the comforts of home, Howard’s controlling and menacing nature makes Michelle want to escape. After taking matters into her own hands, the young woman finally discovers the truth about the outside world.
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Daddy is an American comedy-drama film, slated for release in 2015. The directorial debut of Gerald McCullouch, the film is based on the play by Dan Via.
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In the autumn of 1900, outlaw Claude Barbee puts his ‘retirement plan’ in action, attempting to lead his train-robbing gang across Texas to recover a cash stash hidden after a botched railroad heist.
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In the early 1950s, Eddie Mannix is busy at work trying to solve all the problems of the actors and filmmakers at Capitol Pictures. His latest assignments involve a disgruntled director, a singing cowboy, a beautiful swimmer and a handsome dancer. As if all this wasn’t enough, Mannix faces his biggest challenge when Baird Whitlock gets kidnapped while in costume for the swords-and-sandals epic “Hail, Caesar!” If the studio doesn’t pay $100,000, it’s the end of the line for the movie star.
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In the early 1950s, Eddie Mannix is busy at work trying to solve all the problems of the actors and filmmakers at Capitol Pictures. His latest assignments involve a disgruntled director, a singing cowboy, a beautiful swimmer and a handsome dancer. As if all this wasn’t enough, Mannix faces his biggest challenge when Baird Whitlock gets kidnapped while in costume for the swords-and-sandals epic “Hail, Caesar!” If the studio doesn’t pay $100,000, it’s the end of the line for the movie star.
Read More »