Sick of it All, a black and white noir style comedy which speaks to the child in all of us. The dark comedy is at once a memorable adult fable about one’s lost youth, while in essence paying respect to the wisdom contained within the mind of a child. At its core, Sick of it All, is a magical and surprising tale about the strangeness and troubles that face adulthood.
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An Eccentric haunted house owner invites a group of hapless teens to play the terrifying game known as Charlie Charlie, overnight in the many attractions his house has to offer. While the game is meant to be a mere spectacle of spooky fun, it soon turns into a true nightmare leaving the teenagers, and the owner, battling for their lives.
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An Eccentric haunted house owner invites a group of hapless teens to play the terrifying game known as Charlie Charlie, overnight in the many attractions his house has to offer. While the game is meant to be a mere spectacle of spooky fun, it soon turns into a true nightmare leaving the teenagers, and the owner, battling for their lives.
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Commuter Rachel Watson (Emily Blunt) catches daily glimpses of a seemingly perfect couple, Scott and Megan, from the window of her train. One day, Watson witnesses something shocking unfold in the backyard of the strangers’ home. Rachel tells the authorities what she thinks she saw after learning that Megan is now missing and feared dead. Unable to trust her own memory, the troubled woman begins her own investigation, while police suspect that Rachel may have crossed a dangerous line.
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Commuter Rachel Watson (Emily Blunt) catches daily glimpses of a seemingly perfect couple, Scott and Megan, from the window of her train. One day, Watson witnesses something shocking unfold in the backyard of the strangers’ home. Rachel tells the authorities what she thinks she saw after learning that Megan is now missing and feared dead. Unable to trust her own memory, the troubled woman begins her own investigation, while police suspect that Rachel may have crossed a dangerous line.
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Recruited by the CIA in 1967, young filmmakers (Matt Johnson, Owen Williams) shoot footage of a fake moon landing after learning that NASA is losing the space race to the Russians.
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Recruited by the CIA in 1967, young filmmakers (Matt Johnson, Owen Williams) shoot footage of a fake moon landing after learning that NASA is losing the space race to the Russians.
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A young couples lives are turned upside down when the birth of their first child is accompanied by terrifying entities that threaten their newly formed family.
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