The life and accomplishments of Carl Boenish, one of the first pioneers of BASE jumping.
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The life and accomplishments of Carl Boenish, one of the first pioneers of BASE jumping.
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The six richest people in the world each have one thing still dragging them down.. their intolerable kids. Luckily, there is a mysterious entity that is happy to help. See, he has some monsters of his own and they are just dying to test out their skills.. One house. Six kids. Seven monsters. Who will be left standing? It’s time for a showdown.. it’s Kids Vs Monsters!
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The six richest people in the world each have one thing still dragging them down.. their intolerable kids. Luckily, there is a mysterious entity that is happy to help. See, he has some monsters of his own and they are just dying to test out their skills.. One house. Six kids. Seven monsters. Who will be left standing? It’s time for a showdown.. it’s Kids Vs Monsters!
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In the near future, Frank Grieves is a new breed of police officer working in a city where all recreational drugs are legal. When he is taken off a case involving an unidentified corpse, he discovers that legalization has come at a price.
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In the near future, Frank Grieves is a new breed of police officer working in a city where all recreational drugs are legal. When he is taken off a case involving an unidentified corpse, he discovers that legalization has come at a price.
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Riley (Kaitlyn Dias) is a happy, hockey-loving 11-year-old Midwestern girl, but her world turns upside-down when she and her parents move to San Francisco. Riley’s emotions — led by Joy (Amy Poehler) — try to guide her through this difficult, life-changing event. However, the stress of the move brings Sadness (Phyllis Smith) to the forefront. When Joy and Sadness are inadvertently swept into the far reaches of Riley’s mind, the only emotions left in Headquarters are Anger, Fear and Disgust.
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Riley (Kaitlyn Dias) is a happy, hockey-loving 11-year-old Midwestern girl, but her world turns upside-down when she and her parents move to San Francisco. Riley’s emotions — led by Joy (Amy Poehler) — try to guide her through this difficult, life-changing event. However, the stress of the move brings Sadness (Phyllis Smith) to the forefront. When Joy and Sadness are inadvertently swept into the far reaches of Riley’s mind, the only emotions left in Headquarters are Anger, Fear and Disgust.
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