TOP GIRL is the second part of the women and work trilogy by the writer-director Tatjana Turanskyj. Helena, 29, a single mother with an 11-year-old daughter, is a moderately successful actress who earns a living as an escort in the sex industry. Her relationship with her own mother, a singing teacher, is tense, and she is also increasingly annoyed with her job. Snapshots from the brittle contemporary biography of a working woman, part 2: Helena at work, decked out in latex, batting her eyelashes and brandishing sex toys. Helena finally comes up with a new sexual service: when the hunt is over, the women have been brought down and the men crow in triumph, there she stands, beautiful, severe and implacable. Like an absolute ruler.
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Chloe inherits her mother’s wealth and the thing that took her life. When she meets an aging call girl, the two women cling to each other as they try to escape their inevitable declines.
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Johnny and Peter, former paramilitary operatives, leave carnage behind them as they scour the streets of Bangkok to find out who killed Johnny’s daughter.
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Set in Shanghai in the 1920s, two men establish an infamous beauty pageant called the Flowers Competition. All of the city’s elite attend the gala event; however, tragedy strikes after Wanyan Ying unexpectedly wins.
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After surviving a car accident, Michelle (Mary Elizabeth Winstead) wakes up to find herself in an underground bunker with two men. Howard (John Goodman) tells her that a massive chemical attack has rendered the air unbreathable, and their only hope of survival is to remain inside. Despite the comforts of home, Howard’s controlling and menacing nature makes Michelle want to escape. After taking matters into her own hands, the young woman finally discovers the truth about the outside world.
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After surviving a car accident, Michelle (Mary Elizabeth Winstead) wakes up to find herself in an underground bunker with two men. Howard (John Goodman) tells her that a massive chemical attack has rendered the air unbreathable, and their only hope of survival is to remain inside. Despite the comforts of home, Howard’s controlling and menacing nature makes Michelle want to escape. After taking matters into her own hands, the young woman finally discovers the truth about the outside world.
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On the death of his father, Tim Webber returns to his childhood village in Somerset to find something sinister is disturbing the idyllic peace of the villagers. As people disappear and gruesome body parts mount, the horrific truth emerges that crocodiles are hunting on the moors. As suspicion escalates, Tim is on the hook to make amends for his tragic teenage mistake years before.
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After a tragic accident Grace is lost and alone in the Smoky Mountains. Grace’s struggle for survival is made more complicated by her troubled past. Battling the demons in her mind may be the only way to come out alive.
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